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"We must let him see Amelie, she's exquisite!" said one of "ours," kissing his finger tips.

Leo Tolstoy     War and Peace

"My vocation is a different one," thought Princess Mary. "My vocation is to be happy with another kind of happiness, the happiness of love and self-sacrifice. And cost what it may, I will arrange poor Amelie's happiness, she loves him so passionately, and so passionately repents. I will do all I can to arrange the match between them. If he is not rich I will give her the means; I will ask my father and Andrew. I shall be so happy when she is his wife. She is so unfortunate, a stranger, alone, helpless! And, oh God, how passionately she must love him if she could so far forget herself! Perhaps I might have done the same!..." thought Princess Mary.

Leo Tolstoy     War and Peace

"What delicacy!" thought the princess. "Is it possible that Amelie" (Mademoiselle Bourienne) "thinks I could be jealous of her, and not value her pure affection and devotion to me?" She went up to her and kissed her warmly. Anatole went up to kiss the little princess' hand.

Leo Tolstoy     War and Peace

The quarter north-east of Kongens Nytorv and Gothersgaden is the richest in the city, including the palaces of Amalienborg, the castle and gardens of Rosenborg and several mansions of the nobility. The quarter extends to the strong moated citadel, which guards the harbour on the north-east. It is a regular polygon with five bastions, founded by Frederick III. about 1662-1663. One of the mansions, the Moltkes Palais, has a collection of Dutch paintings formed in the 18th century. This is in the principal thoroughfare of the quarter, Bredgaden, and close at hand the palace of King George of Greece faces the Frederikskirke or Marble church. This church, intended to have been an edifice of great extent and magnificence, was begun in the reign of Frederick V. (1749), but after twenty years was left unfinished. It remained a ruin until 1874, when it was purchased by a wealthy banker, M. Tietgen, at whose expense the work was resumed. The edifice was not carried up to the height originally intended, but the magnificent dome, which recalls the finest examples in Italy, is conspicuous far and wide. The diameter is only a few feet less than that of St Peter's in Rome. As the church stands it is one of the principal works of the architect, F. Meldahl. Behind King George's palace from the Bredgade lies the Amalienborg-plads, having in the centre an equestrian statue of Frederick V., erected in 1768 at the cost of the former Asiatic Company. The four palaces, of uniform design, encircling this _plads_, were built for the residence of four noble families; but on the destruction of Christiansborg in 1794 they became the residence of the king and court, and so continued till the death of Christian VIII. in 1848. One of the four is inhabited by the king, the second and third by the crown prince and other members of the royal family, while the fourth is occupied by the coronation and state rooms. The Ameliegade crosses the _plads_ and, with the Bredgade, terminates at the esplanade outside the citadel, prolonged in the pleasant promenade of Lange Linie skirting the Sound. Entry: COPENHAGEN

Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 3 "Convention" to "Copyright"     1910-1911

Among the hospitals of Copenhagen, besides many modern institutions, there may be mentioned Frederick's hospital, erected in 1752-1757 by Frederick V., the Communal Hospital, erected in 1859-1863, on the eastern side of the Sortedamssö, the general hospital in Ameliegade, founded in 1769, and the garrison hospital, in Rigensgade, established in 1816 by Frederick VI. After the cholera epidemic of 1853, which carried off more than 4000 of the inhabitants, the medical association built several ranges of workmen's houses, and their example was followed by various private capitalists, among whom may be mentioned the Classen trustees, whose buildings occupy an open site on the western outskirts of the city. Entry: COPENHAGEN

Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 3 "Convention" to "Copyright"     1910-1911

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