You will be attacked by a beast who has the body of a wolf, the tail of a lion, and the face of Donald Duck.
For some seconds they gazed with frightened eyes at one another's unfamiliar faces and both were perplexed at what they had done and what they were to do next. "Am I taken prisoner or have I taken him prisoner?" each was thinking. But the French officer was evidently more inclined to think he had been taken prisoner because Pierre's strong hand, impelled by instinctive fear, squeezed his throat ever tighter and tighter. The Frenchman was about to say something, when just above their heads, terrible and low, a cannon ball whistled, and it seemed to Pierre that the French officer's head had been torn off, so swiftly had he ducked it.
On the high ground where the enemy was, the smoke of a cannon rose, and a ball flew whistling over the heads of the hussar squadron. The officers who had been standing together rode off to their places. The hussars began carefully aligning their horses. Silence fell on the whole squadron. All were looking at the enemy in front and at the squadron commander, awaiting the word of command. A second and a third cannon ball flew past. Evidently they were firing at the hussars, but the balls with rapid rhythmic whistle flew over the heads of the horsemen and fell somewhere beyond them. The hussars did not look round, but at the sound of each shot, as at the word of command, the whole squadron with its rows of faces so alike yet so different, holding its breath while the ball flew past, rose in the stirrups and sank back again. The soldiers without turning their heads glanced at one another, curious to see their comrades' impression. Every face, from Denisov's to that of the bugler, showed one common expression of conflict, irritation, and excitement, around chin and mouth. The quartermaster frowned, looking at the soldiers as if threatening to punish them. Cadet Mironov ducked every time a ball flew past. Rostov on the left flank, mounted on his Rook--a handsome horse despite its game leg--had the happy air of a schoolboy called up before a large audience for an examination in which he feels sure he will distinguish himself. He was glancing at everyone with a clear, bright expression, as if asking them to notice how calmly he sat under fire. But despite himself, on his face too that same indication of something new and stern showed round the mouth.
After breakfast they went whooping and prancing out on the bar, and chased each other round and round, shedding clothes as they went, until they were naked, and then continued the frolic far away up the shoal water of the bar, against the stiff current, which latter tripped their legs from under them from time to time and greatly increased the fun. And now and then they stooped in a group and splashed water in each other's faces with their palms, gradually approaching each other, with averted faces to avoid the strangling sprays, and finally gripping and struggling till the best man ducked his neighbor, and then they all went under in a tangle of white legs and arms and came up blowing, sputtering, laughing, and gasping for breath at one and the same time.
"You are wrong, Bahorel. The bourgeoisie loves tragedy, and the bourgeoisie must be left at peace on that score. Bewigged tragedy has a reason for its existence, and I am not one of those who, by order of AEschylus, contest its right to existence. There are rough outlines in nature; there are, in creation, ready-made parodies; a beak which is not a beak, wings which are not wings, gills which are not gills, paws which are not paws, a cry of pain which arouses a desire to laugh, there is the duck. Now, since poultry exists by the side of the bird, I do not see why classic tragedy should not exist in the face of antique tragedy."
The admirable inlaid daggers of the IVth grave at Mycenae are unique in their kind, with their subjects of a lion hunt, of a lion chasing a herd of antelopes, of running lions, of cats hunting wild duck, of inlaid lilies, and of geometric patterns. The subjects are inlaid in gold of various tints, and silver, in bronze plates which are inserted in the flat surfaces of the dagger-blades. In part also the subjects are rendered in relief and gilded. The whole is executed with marvellous precision and vivid representation of motion. To a certain limited extent these daggers are paralleled by a dagger and hatchet found in the treasure of Queen Aah-hotp mentioned above, but in their most characteristic features there is little resemblance. The gold ornaments found by Schliemann at Hissarlik, the supposed site of Troy, divide themselves, generally speaking, into two groups, one being the "great treasure" of diadems, ear-rings, beads, bracelets, &c., which seem the product of a local and uncultured art. The other group, which were found in smaller "treasures," have spirals and rosettes similar to those of Mycenae. The discovery, however, of the gold treasures of the Artemision at Ephesus has brought out points of affinity between the Hissarlik treasures and those of Ephesus, and has made any reasoning difficult, in view of the uncertainties surrounding the Hissarlik finds. The group with Mycenaean affinities (fig. 15) includes necklaces, brooches, bracelets (g), hair-pins (a), ear-rings (c, d, e, f), with and without pendants, beads and twisted wire drops. The majority of these are ornamented with spirals of twisted wire, or small rosettes, with fragments of stones in the centres. The twisted wire ornaments were evidently portions of necklaces. A circular plaque decorated with a rosette (h) is very similar to those found at Mycenae, and a conventionalized eagle (k) is characteristic of much of the detail found at that place as well as at Hissarlik. They were all of pure gold, and the wire must have been drawn through a plate of harder metal--probably bronze. The principal ornaments differing from those found at Mycenae are diadems or head fillets of pure hammered gold (b) cut into thin plates, attached to rings by double gold wires, and fastened together at the back with thin twisted wire. To these pendants (of which those at the two ends are nearly three times the length of those forming the central portions) are attached small figures, probably of idols. It has been assumed that these were worn across the forehead by women, the long pendants falling on each side of the face. Entry: A
The Eskimo are not a tall race, their height varying from 5 ft. 4 in. to 5 ft. 10 in., but men of 6 ft. are met. Both men and women are muscular and active, the former often inclining to fat. The faces of both have a pleasing, good-humoured expression, and not infrequently are even handsome. The typical face is broadly oval, flat, with fat cheeks; forehead not high, and rather retreating; teeth good, though, owing to the character of the food, worn down to the gums in old age; nose very flat; eyes rather obliquely set, small, black and bright; head largish, and covered with coarse black hair, which the women fasten up into a knot on the top, and the men clip in front and allow to hang loose and unkempt behind. Their skulls are of the mesocephalic type, the height being greater than the breadth; according to Davis, 75 is the index of the latter and 77 of the former. Some of the tribes slightly compress the skulls of their new-born children laterally (Hall), but this practice is a very local one. The men have usually a slight moustache, but no whiskers, and rarely any beard. The skin has generally a "bacony" feel, and when cleaned of the smoke, grease and other dirt--the accumulation of which varies according to the age of the individual--is only so slightly brown that red shows in the cheeks of the children and young women. The hands and feet are small and well formed. The Eskimo dress entirely in skins of the seal, reindeer, bear, dog, or even fox, the first two being, however, the most common. The men's and women's dress is much the same, a jacket suit, the trousers tucked into seal-skin boots. The jacket has a hood, which in cold weather is used to cover the head, leaving only the face exposed. The women's jacket has a large hood for carrying a child and an absurd-looking tail behind, which is, however, usually tucked up. The women's trousers are usually ornamented with eider-duck neck feathers or embroidery of native dyed leather; their boots, which are of white leather, or (in Greenland) dyed of various colours, reach over the knees, and in some tribes are very wide at the top, thus giving them an awkward appearance and a clumsy waddling walk. In winter two suits are worn, one with the hair inside, the other with it outside. They also sometimes wear shirts of bird-skins, and stockings of dog or young reindeer skins. Their clothes are very neatly made, fit beautifully, and are sewn with "sinew-thread," with a bone needle if a steel one cannot be had. In person the Eskimo are usually filthy, and never wash. Infants are, however, sometimes cleaned by being licked by their mother before being put into the bag of feathers which serves as their bed, cradle and blankets. Entry: ESKIMO
FUM, or FUNJ HWANG, one of the four symbolical creatures which in Chinese mythology are believed to keep watch and ward over the Celestial Empire. It was begotten by fire, was born in the Hill of the Sun's Halo, and its body bears inscribed on it the five cardinal virtues. It has the breast of a goose, the hindquarters of a stag, a snake's neck, a fish's tail, a fowl's forehead, a duck's down, the marks of a dragon, the back of a tortoise, the face of a swallow, the beak of a cock, is about six cubits high, and perches only on the woo-tung tree. The appearance of Fum heralds an age of universal virtue. Its figure is that which is embroidered on the dresses of some mandarins. Entry: FUM