La ruse est le talent des egoistes, et ne peut tromper que les sots que prennent la turbulence pour l'esprit, la gravite pour la prudence, effronterie pour le talent, l'orgueil pour la dignite.=--Cunning is the accomplishment of the selfish, and can only impose upon silly people, who take bluster for sense, gravity for prudence, effrontery for talent, and pride for dignity.
Tushin's battery had been forgotten and only at the very end of the action did Prince Bagration, still hearing the cannonade in the center, send his orderly staff officer, and later Prince Andrew also, to order the battery to retire as quickly as possible. When the supports attached to Tushin's battery had been moved away in the middle of the action by someone's order, the battery had continued firing and was only not captured by the French because the enemy could not surmise that anyone could have the effrontery to continue firing from four quite undefended guns. On the contrary, the energetic action of that battery led the French to suppose that here--in the center--the main Russian forces were concentrated. Twice they had attempted to attack this point, but on each occasion had been driven back by grapeshot from the four isolated guns on the hillock.
The gamin of Paris is respectful, ironical, and insolent. He has villainous teeth, because he is badly fed and his stomach suffers, and handsome eyes because he has wit. If Jehovah himself were present, he would go hopping up the steps of paradise on one foot. He is strong on boxing. All beliefs are possible to him. He plays in the gutter, and straightens himself up with a revolt; his effrontery persists even in the presence of grape-shot; he was a scapegrace, he is a hero; like the little Theban, he shakes the skin from the lion; Barra the drummer-boy was a gamin of Paris; he Shouts: "Forward!" as the horse of Scripture says "Vah!" and in a moment he has passed from the small brat to the giant.
Fyodor Pavlovitch, by the way, had for some time previously not been living in our town. Three or four years after his wife's death he had gone to the south of Russia and finally turned up in Odessa, where he spent several years. He made the acquaintance at first, in his own words, "of a lot of low Jews, Jewesses, and Jewkins," and ended by being received by "Jews high and low alike." It may be presumed that at this period he developed a peculiar faculty for making and hoarding money. He finally returned to our town only three years before Alyosha's arrival. His former acquaintances found him looking terribly aged, although he was by no means an old man. He behaved not exactly with more dignity but with more effrontery. The former buffoon showed an insolent propensity for making buffoons of others. His depravity with women was not simply what it used to be, but even more revolting. In a short time he opened a great number of new taverns in the district. It was evident that he had perhaps a hundred thousand roubles or not much less. Many of the inhabitants of the town and district were soon in his debt, and, of course, had given good security. Of late, too, he looked somehow bloated and seemed more irresponsible, more uneven, had sunk into a sort of incoherence, used to begin one thing and go on with another, as though he were letting himself go altogether. He was more and more frequently drunk. And, if it had not been for the same servant Grigory, who by that time had aged considerably too, and used to look after him sometimes almost like a tutor, Fyodor Pavlovitch might have got into terrible scrapes. Alyosha's arrival seemed to affect even his moral side, as though something had awakened in this prematurely old man which had long been dead in his soul.
Wellington is classic war taking its revenge. Bonaparte, at his dawning, had encountered him in Italy, and beaten him superbly. The old owl had fled before the young vulture. The old tactics had been not only struck as by lightning, but disgraced. Who was that Corsican of six and twenty? What signified that splendid ignoramus, who, with everything against him, nothing in his favor, without provisions, without ammunition, without cannon, without shoes, almost without an army, with a mere handful of men against masses, hurled himself on Europe combined, and absurdly won victories in the impossible? Whence had issued that fulminating convict, who almost without taking breath, and with the same set of combatants in hand, pulverized, one after the other, the five armies of the emperor of Germany, upsetting Beaulieu on Alvinzi, Wurmser on Beaulieu, Melas on Wurmser, Mack on Melas? Who was this novice in war with the effrontery of a luminary? The academical military school excommunicated him, and as it lost its footing; hence, the implacable rancor of the old Caesarism against the new; of the regular sword against the flaming sword; and of the exchequer against genius. On the 18th of June, 1815, that rancor had the last word. and beneath Lodi, Montebello, Montenotte, Mantua, Arcola, it wrote: Waterloo. A triumph of the mediocres which is sweet to the majority. Destiny consented to this irony. In his decline, Napoleon found Wurmser, the younger, again in front of him.
And he stared at Marius intently with his epic effrontery. His eyes grew larger with the proud light within them.
An indescribable constraint, weariness, and humiliation were perceptible beneath this hardihood. Effrontery is a disgrace.
Bahorel was a good-natured mortal, who kept bad company, brave, a spendthrift, prodigal, and to the verge of generosity, talkative, and at times eloquent, bold to the verge of effrontery; the best fellow possible; he had daring waistcoats, and scarlet opinions; a wholesale blusterer, that is to say, loving nothing so much as a quarrel, unless it were an uprising; and nothing so much as an uprising, unless it were a revolution; always ready to smash a window-pane, then to tear up the pavement, then to demolish a government, just to see the effect of it; a student in his eleventh year. He had nosed about the law, but did not practise it. He had taken for his device: "Never a lawyer," and for his armorial bearings a nightstand in which was visible a square cap. Every time that he passed the law-school, which rarely happened, he buttoned up his frock-coat,--the paletot had not yet been invented,--and took hygienic precautions. Of the school porter he said: "What a fine old man!" and of the dean, M. Delvincourt: "What a monument!" In his lectures he espied subjects for ballads, and in his professors occasions for caricature. He wasted a tolerably large allowance, something like three thousand francs a year, in doing nothing.
"I mean that if there were, it would be impossible to draw up with impunity two such deeds as these. In France, my dear sir, half such a piece of effrontery as that would cause you to be quickly despatched to Toulon for five years, for change of air."
In 1832, in a number of streets, in the Rue de l'Etoile, the Rue Saint-Louis, the Rue du Temple, the Rue Vielle-duTemple, the Rue Notre-Dame de Nazareth, the Rue Folie-Mericourt, the Quai aux Fleurs, the Rue du Petit-Muse, the Rue du Normandie, the Rue Pont-Aux-Biches, the Rue des Marais, the Faubourg Saint-Martin, the Rue Notre Dame des-Victoires, the Faubourg Montmartre, the Rue Grange-Bateliere, in the Champs-Elysees, the Rue Jacob, the Rue de Tournon, the ancient gothic sewer still cynically displayed its maw. It consisted of enormous voids of stone catch-basins sometimes surrounded by stone posts, with monumental effrontery.
But, whoever wrote the first Italian comedy, Ludovico Ariosto was the first master of the species. All but the first two of his comedies, belonging as they do to the field of _commedia erudita_, or scholarly comedy, are in blank verse, to which he gave a singular mobility by the dactylic ending of the line (_sdrucciolo_). Ariosto's models were the masterpieces of the _palliata_, and his morals those of his age, which emulated those of the worst days of ancient Rome or Byzantium in looseness, and surpassed them in effrontery. He chose his subjects accordingly; but his dramatic genius displayed itself in the effective drawing of character,[30] and more especially in the skilful management of complicated intrigues.[31] Such, with an additional brilliancy of wit and lasciviousness of tone, are likewise the characteristics of Machiavelli's famous prose comedy, the _Mandragola_ (_The Magic Draught_);[32] and at the height of their success, of the plays of P. Aretino,[33] especially the prose _Marescalco_ (1526-1527) whose name, it has been said, ought to be written in asterisks. It may be added that the plays of Ariosto and his followers were represented with magnificent scenery and settings. Other dramatists of the 16th century were B. Accolti, whose _Virginia_ (prob. before 1513) treats the story from Boccaccio which reappears in _All's Well that Ends Well_; G. Cecchi, F. d'Ambra, A. F. Grazzini, N. Secco or Secchi and L. Dolce--all writers of romantic comedy of intrigue in verse or prose. Entry: 11
Bernadotte, considerably piqued, thereupon returned to Paris, where the council of ministers entrusted him with the defence of the Netherlands against the English. In 1810 he was about to enter upon his new post of governor of Rome when he was, unexpectedly, elected successor to the Swedish throne, partly because a large part of the Swedish army, in view of future complications with Russia, were in favour of electing a soldier, and partly because Bernadotte was very popular in Sweden, owing to the kindness he had shown to the Swedish prisoners during the late war with Denmark. The matter was decided by one of the Swedish couriers, Baron Karl Otto Mörner, who, entirely on his own initiative, offered the succession to the Swedish crown to Bernadotte. Bernadotte communicated Mörner's offer to Napoleon, who treated the whole affair as an absurdity. Bernadotte thereupon informed Mörner that he would not refuse the honour if he were duly elected. Although the Swedish government, amazed at Mörner's effrontery, at once placed him under arrest on his return to Sweden, the candidature of Bernadotte gradually gained favour there, and, on the 21st of August 1810, he was elected crown-prince. Entry: CHARLES
Upon this new enterprise fortune, at the outset, seemed to smile. The first piece (produced on the 5th of March) was _Pasquin, a Dramatick Satire on the Times_ (a piece akin in its plan to Buckingham's _Rehearsal_), which contained, in addition to much admirable burlesque, a good deal of very direct criticism of the shameless political corruption of the Walpole era. Its success was unmistakable; and when, after bringing out the remarkable _Fatal Curiosity_ of George Lillo, its author followed up _Pasquin_ by the _Historical Register for the Year 1736_, of which the effrontery was even more daring than that of its predecessor, the ministry began to bethink themselves that matters were going too far. How they actually effected their object is obscure: but grounds were speedily concocted for the Licensing Act of 1737, which restricted the number of theatres, rendered the lord chamberlain's licence an indispensable preliminary to stage representation, and--in a word--effectually put an end to Fielding's career as a dramatist. Entry: FIELDING
These faults are so unmistakable and undeniable that many have formed their whole estimate of Martial from them, and have declined to make any further acquaintance with him. Even those who greatly admire his genius, and find the freshest interest in his representation of Roman life and his sketches of manners and character, do not attempt to palliate his faults, though they may partially account for them by reference to the morals of his age and the circumstances of his life. The age was one when literature had either to be silent or to be servile. Martial was essentially a man of letters: he was bound either to gain favour by his writings or to starve. Even Statius, whose writings are in other respects irreproachable, is nearly as fulsome in his adulation. The relation of client to patron had been recognized as an honourable one by the best Roman traditions. No blame had attached to Virgil or Horace on account of the favours which they received from Augustus and Maecenas, or of the return which they made for these favours in their verse. That old honourable relationship had, however, greatly changed between Augustus and Domitian. Men of good birth and education, and sometimes even of high official position (Juv. i. 117), accepted the dole (_sportula_). Martial was merely following a general fashion in paying his court to "a lord," and he made the best of the custom. In his earlier career he used to accompany his patrons to their villas at Baiae or Tibur, and to attend their morning levées. Later on he went to his own small country house, near Nomentum, and sent a poem, or a small volume of his poems, as his representative at the early visit. The fault of grossness Martial shares with nearly all ancient and many modern writers who treat of life from the baser or more ridiculous side. That he offends more than perhaps any of them is not, apparently, to be explained on the ground that he had to amuse a peculiarly corrupt public. Although there is the most cynical effrontery and want of self-respect in Martial's use of language, there is not much trace of the satyr in him--much less, many readers will think, than in Juvenal. Entry: MARTIAL
On the 14th of November 1843 he was appointed ambassador at the court of the young Spanish queen Isabella II. Upon his arrival at Madrid signal evidence was afforded of the estimation in which he was then held as a diplomatist. He was chosen arbitrator between Spain and Morocco, then confronting each other in deadly hostility, and, as the result of his mediation, a treaty of peace was signed between the two powers in 1844. In 1846 a much more formidable difficulty arose,--one which, after threatening war between France and England, led at last to a diplomatic rupture between the British and Spanish governments. The dynastic intrigues of Louis Philippe were the immediate cause of this estrangement, and those intrigues found their climax in what has ever since been known in European annals as the Spanish Marriages. The storm sown in the Spanish marriages was reaped in the whirlwind of the February revolution. And the explosion which took place at Paris was answered a month afterwards at Madrid by a similar outbreak. Marshal Narvaez thereupon assumed the dictatorship, and wreaked upon the insurgents a series of reprisals of the most pitiless character. These excessive severities of the marshal-dictator the British ambassador did his utmost to mitigate. When at last, however, Narvaez carried his rigour to the length of summarily suppressing the constitutional guarantees, Bulwer sent in a formal protest in the name of England against an act so entirely ruthless and unjustifiable. This courageous proceeding at once drew down upon the British envoy a counter-stroke as ill-judged as it was unprecedented. Narvaez, with matchless effrontery, denounced the ambassador from England as an accomplice in the conspiracies of the Progressistas; and despite his position as an envoy, and in insolent defiance of the Palmerstonian boast, _Civis Britannicus_, Bulwer, on the 12th of June, was summarily required to quit Madrid within twenty-four hours. Two days afterwards M. Isturitz, the Spanish ambassador at the court of St James's, took his departure from London. Diplomatic relations were not restored between the two countries until years had elapsed, nor even then until after a formal apology, dictated by Lord Palmerston, had been signed by the prime minister of Queen Isabella. Before his return the ambassador was gazetted a K.C.B., being promoted to the grand cross some three years afterwards. In addition to this mark of honour he received the formal approbation of the ministry, and with it the thanks of both Houses of Parliament. Entry: DALLING
The death of Louis XIV. closed a great era of French history; the 18th century opens upon a crisis for the monarchy. From 1715 to 1723 came the reaction of the Regency, with its marvellous effrontery, innovating spirit and frivolous immorality. From 1723 to 1743 came the mealy-mouthed despotism of Cardinal Fleury, and his apathetic policy within and without the kingdom. From 1743 to 1774 came the personal rule of Louis XV., when all the different powers were in conflicts--the bishops and parlement quarrelling, the government fighting against the clergy and the magistracy, and public opinion in declared opposition to the state. Till at last, from 1774 to 1789, came Louis XVI. with his honest illusions. his moral pusillanimity and his intellectual impotence, to aggravate still further the accumulated errors of ages and to prepare for the inevitable Revolution. Entry: A
During the eight years between the peace of Philocrates and the battle of Chaeronea, the authority of Demosthenes steadily grew, until it became first predominant and then paramount. He had, indeed, a melancholy advantage. Each year his argument was more and more cogently enforced by the logic of facts. In 344 he visited the Peloponnesus for the purpose of counteracting Macedonian intrigue. Mistrust, he told the Peloponnesian cities, is the safeguard of free communities against tyrants. Philip lodged a formal complaint at Athens. Here, as elsewhere, the future master of Greece reminds us of Napoleon on the eve of the first empire. He has the same imperturbable and persuasive effrontery in protesting that he is doing one thing at the moment when his energies are concentrated on doing the opposite. Demosthenes replied in the Second Philippic. "If," he said, "Philip is the friend of Greece, we are doing wrong. If he is the enemy of Greece, we are doing right. Which is he? I hold him to be our enemy, because everything that he has hitherto done has benefited himself and hurt us." The prosecution of Aeschines for malversation on the embassy (commonly known as _De falsa legatione_), which was brought to an issue in the following year, marks the moral strength of the position now held by Demosthenes. When the gravity of the charge and the complexity of the evidence are considered, the acquittal of Aeschines by a narrow majority must be deemed his condemnation. The speech "On the Affairs of the Chersonese" and the Third Philippic were the crowning efforts of Demosthenes. Spoken in the same year, 341 B.C., and within a short space of each other, they must be taken together. The speech "On the Affairs of the Chersonese" regards the situation chiefly from an Athenian point of view. "If the peace means," argues Demosthenes, "that Philip can seize with impunity one Athenian possession after another, but that Athenians shall not on their peril touch aught that belongs to Philip, where is the line to be drawn? We shall go to war, I am told, when it is necessary. If the necessity has not come yet, when will it come?" The Third Philippic surveys a wider horizon. It ascends from the Athenian to the Hellenic view. Philip has annihilated Olynthus and the Chalcidic towns. He has ruined Phocis. He has frightened Thebes. He has divided Thessaly. Euboea and the Peloponnesus are his. His power stretches from the Adriatic to the Hellespont. Where shall be the end? Athens is the last hope of Greece. And, in this final crisis, Demosthenes was the embodied energy of Athens. It was Demosthenes who went to Byzantium, brought the estranged city back to the Athenian alliance, and snatched it from the hands of Philip. It was Demosthenes who, when Philip had already seized Elatea, hurried to Thebes, who by his passionate appeal gained one last chance, the only possible chance, for Greek freedom, who broke down the barrier of an inveterate jealousy, who brought Thebans to fight beside Athenians, and who thus won at the eleventh hour a victory for the spirit of loyal union which took away at least one bitterness from the unspeakable calamity of Chaeronea. Entry: A
At the same time, he was inexhaustible in the devising of comic scenes of genuine farce. An oration of "old masters," an election of a suburban mayor, an examination at the College of Physicians, a newspaper conclave where paragraphs are concocted and reputations massacred--all these and other equally happy situations are brought before the mere reader with unfailing vividness. And everywhere the comic dialogue is instinct with spirit and vigour, and the comic characters are true to themselves with a buoyancy which at once raises them above the level of mere theatrical conventionalism. Foote professed to despise the mere caricaturing of national peculiarities as such, and generally used dialect as a mere additional colouring; he was, however, too wide awake to the demands of his public not to treat France and Frenchmen as fair game, and coarsely to appeal to national prejudice. His satire against those everlasting victims of English comedy and farce, the Englishman in Paris and the Englishman returned from Paris, was doubtless well warranted; while at the same time he made fun of the fact that Englishmen are nowhere more addicted to the society of their countrymen than abroad. In general, the purposes of Foote's social satire are excellent, and the abuses against which it is directed are those which it required courage to attack. The tone of his morality is healthy, and his language, though not aiming at refinement, is remarkably free from intentional grossness. He made occasional mistakes; but he was on the right side in the warfare against the pretentiousness of Cant and the effrontery of Vice, the two master evils of the age and the society in which he lived. Entry: FOOTE
It is easy to explain the different feelings which the games of Greece and of Rome excite. The Greeks at their best were actors, the Romans from first to last were spectators. It is true that even in Greek games the professional element played a large and ever-increasing part. As early as the 6th century B.C. Xenophanes complains that the wrestler's strength is preferred to the wisdom of the philosopher, and Euripides, in a well-known fragment, holds up to scorn the brawny swaggering athlete. But what in Greece was a perversion and acknowledged to be such, the Romans not only practised but held up as their ideal. No Greek, however high in birth, was ashamed to compete in person for the Olympic crown. The Roman, though little inferior in gymnastic exercises, kept strictly to the privacy of the palaestra; and for a patrician to appear in public as a charioteer is stigmatized by the satirist as a mark of shameless effrontery. Entry: 1
Alexander was received by the Ephesians in 334, and established democratic government. Soon after his death the city fell into the hands of Lysimachus, who introduced fresh Greek colonists from Lebedus and Colophon and, it is said, by means of an artificial inundation compelled those who still dwelt in the plain by the temple to migrate to the city on the hills, which he surrounded by a solid wall. He renamed the city after his wife Arsinoë, but the old name was soon resumed. Ephesus was very prosperous during the Hellenistic period, and is conspicuous both then and later for the abundance of its coinage, which gives us a more complete list of magistrates' names than we have for any other Ionian city. The Roman coinage is remarkable for the great variety and importance of its types. After the defeat of Antiochus the Great, king of Syria, by the Romans, Ephesus was handed over by the conquerors to Eumenes, king of Pergamum, whose successor, Attalus Philadelphus, unintentionally worked the city irremediable harm. Thinking that the shallowness of the harbour was due to the width of its mouth, he built a mole part-way across the latter; the result, however, was that the silting up of the harbour proceeded more rapidly than before. The third Attalus of Pergamum bequeathed Ephesus with the rest of his possessions to the Roman people, and it became for a while the chief city, and for longer the first port, of the province of Asia, the richest in the empire. Henceforth Ephesus remained subject to the Romans, save for a short period, when, at the instigation of Mithradates Eupator of Pontus, the cities of Asia Minor revolted and massacred their Roman residents. The Ephesians even dragged out and slew those Romans who had fled to the precinct of Artemis for protection, notwithstanding which sacrilege they soon returned from their new to their former masters, and even had the effrontery to state, in an inscription preserved to this day, that their defection to Mithradates was a mere yielding to superior force. Sulla, after his victory over Mithradates, brushed away their pretexts, and inflicting a very heavy fine told them that the punishment fell far short of their deserts. In the civil wars of the 1st century B.C. the Ephesians twice supported the unsuccessful party, giving shelter to, or being made use of by, first, Brutus and Cassius, and afterwards Antony, for which partisanship or weakness they paid very heavily in fines. Entry: EPHESUS