Quotes4study

Leisure is gone; gone where the spinning->wheels are gone, and the pack-horses, and the slow wagons, and the peddlers who brought bargains to the door on sunny afternoons.--_George Eliot._

Maturin M. Ballou     Pearls of Thought

IV. The time required for an object to fall twenty stories is greater than or

    equal to the time it takes for whoever knocked it off the ledge to

    spiral down twenty flights to attempt to capture it unbroken.

    Such an object is inevitably priceless, the attempt to capture it

    inevitably unsuccessful.

 V. All principles of gravity are negated by fear.

    Psychic forces are sufficient in most bodies for a shock to propel

    them directly away from the earth's surface.  A spooky noise or an

    adversary's signature sound will induce motion upward, usually to

    the cradle of a chandelier, a treetop, or the crest of a flagpole.

    The feet of a character who is running or the wheels of a speeding

    auto need never touch the ground, especially when in flight.

VI. As speed increases, objects can be in several places at once.

    This is particularly true of tooth-and-claw fights, in which a

    character's head may be glimpsed emerging from the cloud of

    altercation at several places simultaneously.  This effect is common

    as well among bodies that are spinning or being throttled.  A "wacky"

    character has the option of self-replication only at manic high

    speeds and may ricochet off walls to achieve the velocity required.

        -- Esquire, "O'Donnell's Laws of Cartoon Motion", June 1980

Fortune Cookie

Till comparatively recent times, the sole spinning implements were the spindle and distaff. The spindle, which is the fundamental apparatus in all spinning machinery, was a round stick or rod of wood about 12 in. in length, tapering towards each extremity, and having at its upper end a notch or slit into which the yarn might be caught or fixed. In general, a ring or "whorl" of stone or clay was passed round the upper part of the spindle to give it momentum and steadiness when in rotation, while in some few cases an ordinary potato served the purpose of a whorl. The distaff, or rock, was a rather longer and stronger bar or stick, around one end of which, in a loose coil or ball, the fibrous material to be spun was wound. The other extremity of the distaff was carried under the left arm, or fixed in the girdle at the left side, so as to have the coil of flax in a convenient position for drawing out to form the yarn. A prepared end of yarn being fixed into the notch, the spinster, by a smart rolling motion of the spindle with the right hand against the right leg, threw it out from her, spinning in the air, while, with the left hand, she drew from the rock an additional supply of fibre which was formed into a uniform and equal strand with the right. The yarn being sufficiently twisted was released from the notch, wound around the lower part of the spindle, and again fixed in the notch at the point insufficiently twisted; and so the rotating, twisting and drawing out operations went on till the spindle was full. So persistent is an ancient and primitive art of this description that in remote districts of Scotland--a country where machine spinning has attained a high standard--spinning with rock and spindle is still practised;[1] and yarn of extraordinary delicacy, beauty and tenacity has been spun by their agency. The first improvement on the primitive spindle was found in the construction of the hand-wheel, in which the spindle, mounted in a frame, was fixed horizontally, and rotated by a band passing round it and a large wheel, set in the same framework. Such a wheel became known in Europe about the middle of the 16th century, but it appears to have been in use for cotton spinning in the East from time immemorial. At a later date, which cannot be fixed, the treadle motion was attached to the spinning wheel, enabling the spinster to sit at work with both hands free; and the introduction of the two-handed or double-spindle wheel, with flyers or twisting arms on the spindles, completed the series of mechanical improvements effected on flax spinning till the end of the 18th century. The common use of the two-handed wheel throughout the rural districts of Ireland and Scotland is a matter still within the recollection of some people; but spinning wheels are now seldom seen. Entry: LINEN

Encyclopaedia Britannica, 11th Edition, Volume 16, Slice 6 "Lightfoot, Joseph" to "Liquidation"     1910-1911

His followers called him Mahasamatman and said he was a god.  He preferred

to drop the Maha- and the -atman, however, and called himself Sam.  He never

claimed to be a god.  But then, he never claimed not to be a god.  Circum-

stances being what they were, neither admission could be of any benefit.

Silence, though, could.  It was in the days of the rains that their prayers

went up, not from the fingering of knotted prayer cords or the spinning of

prayer wheels, but from the great pray-machine in the monastery of Ratri,

goddess of the Night.  The high-frequency prayers were directed upward through

the atmosphere and out beyond it, passing into that golden cloud called the

Bridge of the Gods, which circles the entire world, is seen as a bronze

rainbow at night and is the place where the red sun becomes orange at midday.

Some of the monks doubted the orthodoxy of this prayer technique...

        -- Roger Zelazny, "Lord of Light"

Fortune Cookie

FULTON, ROBERT (1765-1815), American engineer, was born in 1765 in Little Britain (now Fulton, Lancaster county), Pa. His parents were Irish, and so poor that they could afford him only a very scanty education. At an early age he was bound apprentice to a jeweller in Philadelphia, but subsequently adopted portrait and landscape painting as his profession. In his twenty-second year, with the object of studying with his countryman, Benjamin West, he went to England, and there became acquainted with the duke of Bridgewater, Earl Stanhope and James Watt. Partly by their influence he was led to devote his attention to engineering, especially in connexion with canal construction; he obtained an English patent in 1794 for superseding canal locks by inclined planes, and in 1796 he published a _Treatise on the Improvement of Canal Navigation_. He then took up his residence in Paris, where he projected the first panorama ever exhibited in that city, and constructed a submarine boat, the "Nautilus," which was tried in Brest harbour in 1801 before a commission appointed by Napoleon I., and by the aid of which he was enabled to blow up a small vessel with a torpedo. It was at Paris also in 1803 that he first succeeded in propelling a boat by steam-power, thus realizing a design which he had conceived ten years previously. Returning to America he continued his experiments with submarine explosives, but failed to convince either the English, French or United States governments of the adequacy of his methods. With steam navigation he had more success. In association with Robert R. Livingston (q.v.), who in 1798 had been granted the exclusive right to navigate the waters of New York state with steam-vessels, he constructed the "Clermont," which, engined by Boulton & Watt of Birmingham, began to ply on the Hudson between New York and Albany in 1807. The privilege obtained by Livingston in 1798 was granted jointly to Fulton and Livingston in 1803, and by an act passed in 1808 the monopoly was secured to them and their associates for a period depending on the number of steamers constructed, but limited to a maximum of thirty years. In 1814-1815, on behalf of the United States government, he constructed the "Fulton," a vessel of 38 tons with central paddle-wheels, which was the first steam warship. He died at New York on the 24th of February 1815. Among Fulton's inventions were machines for spinning flax, for making ropes, and for sawing and polishing marble. Entry: FULTON

Encyclopaedia Britannica, 11th Edition, Volume 11, Slice 3 "Frost" to "Fyzabad"     1910-1911

_Intermittent Spinning_.--The essential difference between continuous and intermittent spinning is that the former draws and twists consecutively, whilst the latter draws and twists simultaneously. In the _mule_, a creel (A, fig. 9), fixed at the back of the machine, is designed to hold the rovings (B) in three or four tiers, from whence they pass between three lines of drawing rollers (C) and two faller wires (D). They are next led to spindles (E) mounted in a carriage (F) whose wheels run upon rails (G) called slips. As the rollers (C) feed the partially attenuated rovings the carriage recedes from the rollers a little faster than the rovings are delivered, thus completing the attenuation. Meanwhile, the spindles are revolved rapidly by bands passing from a tinned cylinder (H) and the threads are twisted. This twist goes first to the thin places where least resistance is offered to it, leaving thick places almost untwisted; the pull of the carriage, therefore, causes the fibres to slip most readily where there are fewest twists, and gives to a thread an approximation to uniformity in diameter. For fine yarns the rollers cease to rotate slightly before the carriage has attained the end of its outward run, or stretch, and at such times all attenuation is due to the pull of the spindles upon the threads. On the termination of a stretch the carriage stops, the twisting is completed, the spindles reverse the direction of their rotation to back off, or remove the yarn which is coiled round the spindles above the winding point, and whilst one faller wire (D), operating on all the threads at once, descends to the winding position of each spindle, the other rises to take up the yarn delivered by the spindles. This completed, the carriage returns to the roller beam, and in doing so the spindles revolve in their normal direction to wind the stretch of 48 to 66 in. of yarn spun in the outward journey. All the foregoing movements are regulated to succeed each other in their proper order, the termination of one operation being the initiation of the next. Entry: A

Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 5 "Cosway" to "Coucy"     1910-1911

The chief principle of the water-frame was the drawing out of the yarn to the required degree of tenuity by sets of gripping rollers revolving at different speeds. This principle is still applied universally. Twist was given by a "flyer" revolving round the bobbin upon which the yarn was being wound; the spinning so effected was known as throstle-spinning. The plan is still common in the subsidiary processes of the cotton industry, but for spinning itself the ring-frame, which appears to have been invented simultaneously in England and the United States (the first American patent is dated 1828), is rapidly supplanting the throstle-frame,[27] though the "ooziness" of mule yarn has not yet been successfully imitated by ring-frame yarn. The great invention relating to weft-spinning was the jenny, introduced by James Hargreaves probably about 1764, and first tried in a factory four years later.[28] Hargreaves unfortunately was unable to maintain his patent, because he had sold jennies before applying for protection. Crompton's mule, which combined the principles of the rollers and the jenny, was perfected about 1779. Both jennies and mules were known as "wheels," because they were worked in part by the turning of a wheel. As they could be set in motion without using much power, being light when of moderate size, for a long time they were worked entirely by hand or partially with the aid of horses or water. The first jenny- and mule-factories were small for this reason, and also because skill in the operative was a matter of fundamental importance,[29] as it was not in twist-spinning on the water-frame. The size of the typical weft-spinning mill suddenly increased after the scope for the application of power was enlarged by the use of the self-actor mule, invented in 1825 by Richard Roberts, of the firm of Sharp, Roberts & Co., machinists, of Manchester. In 1830 Roberts improved his invention and brought out the complete self-actor. Self-actors had been put forward by others besides Roberts--for instance by William Strutt, F.R.S. (son of Arkwright's partner), before 1790; William Kelly, formerly of Lanark mills, in 1792; William Eaton of Wiln in Derbyshire; Peter Ewart of Manchester; de Jongh of Warrington; Buchanan, of Catrine works, Scotland; Knowles of Manchester; and Dr Brewster of America[30]--but none had succeeded. And Roberts's machines did not immediately win popularity. For a long time the winding done by them was defective, and they suffered from other imperfections. Broadly speaking, until the American Civil War the number of hand-mules in use remained high. It was for the fine "counts" in particular that many employers preferred them.[31] About the end of the 'sixties, however, and in the early 'seventies, great improvements were effected in machinery, partly under the stimulus of a desire to elevate its fitness for dealing with short-staple cotton, and it became evident that hand-mules were doomed. Here we may suitably refer to the scutching machine for opening and cleaning cotton, invented by Mr Snodgrass of Glasgow in 1797, and introduced by Kennedy[32] to Manchester in 1808 or 1809; the cylinder carder invented by Lewis Paul and improved by Arkwright; and the lap-machine first constructed by Arkwright's son. Entry: 1838

Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 5 "Cosway" to "Coucy"     1910-1911

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