Quotes4study

It so chanced that the doubloon of the Pequod was a most wealthy example of these things. On its round border it bore the letters, REPUBLICA DEL ECUADOR: QUITO. So this bright coin came from a country planted in the middle of the world, and beneath the great equator, and named after it; and it had been cast midway up the Andes, in the unwaning clime that knows no autumn. Zoned by those letters you saw the likeness of three Andes' summits; from one a flame; a tower on another; on the third a crowing cock; while arching over all was a segment of the partitioned zodiac, the signs all marked with their usual cabalistics, and the keystone sun entering the equinoctial point at Libra.

Herman Melville     Moby Dick; or The Whale

"There's another rendering now; but still one text. All sorts of men in one kind of world, you see. Dodge again! here comes Queequeg--all tattooing--looks like the signs of the Zodiac himself. What says the Cannibal? As I live he's comparing notes; looking at his thigh bone; thinks the sun is in the thigh, or in the calf, or in the bowels, I suppose, as the old women talk Surgeon's Astronomy in the back country. And by Jove, he's found something there in the vicinity of his thigh--I guess it's Sagittarius, or the Archer. No: he don't know what to make of the doubloon; he takes it for an old button off some king's trowsers. But, aside again! here comes that ghost-devil, Fedallah; tail coiled out of sight as usual, oakum in the toes of his pumps as usual. What does he say, with that look of his? Ah, only makes a sign to the sign and bows himself; there is a sun on the coin--fire worshipper, depend upon it. Ho! more and more. This way comes Pip--poor boy! would he had died, or I; he's half horrible to me. He too has been watching all of these interpreters--myself included--and look now, he comes to read, with that unearthly idiot face. Stand away again and hear him. Hark!"

Herman Melville     Moby Dick; or The Whale

1. _Fasti Diurni_, divided into _urbani_ and _rustici_, a kind of official year-book, with dates and directions for religious ceremonies, court-days, market-days, divisions of the month, and the like. Until 304 B.C. the lore of the _calendaria_ remained the exclusive and lucrative monopoly of the priesthood; but in that year Gnaeus Flavius, a pontifical secretary, introduced the custom of publishing in the forum tables containing the requisite information, besides brief references to victories, triumphs, prodigies, &c. This list was the origin of the public Roman calendar, in which the days were divided into weeks of eight days each, and indicated by the letters A-H. Each day was marked by a certain letter to show its nature; thus the letters F., N., N.P., F.P., Q. Rex C.F., C., EN., stood for _fastus_, _nefastus_, _nefastus_ in some unexplained sense, _fastus priore_, _quando rex_ (_sacrorum_) _comitiavit fastus_, _comitialis_ and _intercisus_. The _dies intercisi_ were partly _fasti_ and partly _nefasti_. Ovid's _Fasti_ is a poetical description of the Roman festivals of the first six months, written to illustrate the Fasti published by Julius Caesar after he remodelled the Roman year. Upon the cultivators fewer feasts, sacrifices, ceremonies and holidays were enjoined than on the inhabitants of cities; and the rustic fasti contained little more than the ceremonies of the calends, nones and ides, the fairs, signs of zodiac, increase and decrease of the days, the tutelary gods of each month, and certain directions for rustic labours to be performed each month. Entry: 1

Encyclopaedia Britannica, 11th Edition, Volume 10, Slice 2 "Fairbanks, Erastus" to "Fens"     1910-1911

Astrology in this its earliest stage is, however, marked by two characteristic limitations. In the first place, the movements and position of the heavenly bodies point to such occurrences as are of public import and affect the general welfare. The individual's interests are not in any way involved, and we must descend many centuries and pass beyond the confines of Babylonia and Assyria before we reach that phase which in medieval and modern astrology is almost exclusively dwelt upon--genethliology or the individual horoscope. In Babylonia and Assyria the cult centred largely and indeed almost exclusively in the public welfare and the person of the king, because upon his well-being and favour with the gods the fortunes of the country were dependent in accordance with the ancient conception of kingship (see J.G. Frazer, _The Early History of Kingship_). To some extent, the individual came in for his share in the incantations and in the purification ritual through which one might hope to rid oneself of the power of the demons and of other evil spirits, but outside of this the important aim of the priests was to secure for the general benefit the favour of the gods, or, as a means of preparing oneself for what the future had in store, to ascertain in time whether that favour would be granted in any particular instance or would be continued in the future. Hence in "liver" divination, as in astrology, the interpretations of the signs noted all have reference to public affairs and events and not to the individual's needs or desires. In the second place, the astronomical knowledge presupposed and accompanying early Babylonian astrology is essentially of an empirical character. While in a general way the reign of law and order in the movements of the heavenly bodies was recognized, and indeed must have exercised an influence at an early period in leading to the rise of a methodical divination that was certainly of a much higher order than the examination of an animal's liver, yet the importance that was laid upon the endless variations in the form of the phenomena and the equally numerous apparent deviations from what were regarded as normal conditions, prevented for a long time the rise of any serious study of astronomy beyond what was needed for the purely practical purposes that the priests as "inspectors" of the heavens (as they were also the "inspectors" of the sacrificial livers) had in mind. True, we have, probably as early as the days of Khammurabi, i.e. c. 2000 B.C., the combinations of prominent groups of stars with outlines of pictures fantastically put together, but there is no evidence that prior to 700 B.C. more than a number of the constellations of our zodiac had become part of the current astronomy. The theory of the ecliptic as representing the course of the sun through the year, divided among twelve constellations with a measurement of 30° to each division, is also of Babylonian origin, as has now been definitely proved; but it does not appear to have been perfected until after the fall of the Babylonian empire in 539 B.C. Similarly, the other accomplishments of Babylonian astronomers, such as their system or rather systems of moon calculations and the drawing up of planetary tablets, belong to this late period, so that the golden age of Babylonian astronomy belongs not to the remote past, as was until recently supposed, but to the Seleucid period, i.e. after the advent of the Greeks in the Euphrates Valley. From certain expressions used in astrological texts that are earlier than the 7th century B.C. it would appear, indeed, that the beginnings at least of the calculation of sun and moon eclipses belong to the earlier period, but here, too, the chief work accomplished was after 400 B.C., and the defectiveness of early Babylonian astronomy may be gathered from the fact that as late as the 6th century B.C. an error of almost an entire month was made by the Babylonian astronomers in the attempt to determine through calculation the beginning of a certain year. Entry: ASTROLOGY

Encyclopaedia Britannica, 11th Edition, Volume 2, Slice 7 "Arundel, Thomas" to "Athens"     1910-1911

The most prominent building is the square castle of the house of Este, in the centre of the town, a brick building surrounded by a moat, with four towers. It was built after 1385 and partly restored in 1554; the pavilions on the top of the towers date from the latter year. Near it is the hospital of S. Anna, where Tasso was confined during his attack of insanity (1579-1586). The Palazzo del Municipio, rebuilt in the 18th century, was the earlier residence of the Este family. Close by is the cathedral of S. Giorgio, consecrated in 1135, when the Romanesque lower part of the main façade and the side façades were completed. It was built by Guglielmo degli Adelardi (d. 1146), who is buried in it. The upper part of the main façade, with arcades of pointed arches, dates from the 13th century, and the portal has recumbent lions and elaborate sculptures above. The interior was restored in the baroque style in 1712. The campanile, in the Renaissance style, dates from 1451-1493, but the last storey was added at the end of the 16th century. Opposite the cathedral is the Gothic Palazzo della Ragione, in brick (1315-1326), now the law-courts. A little way off is the university, which has faculties of law, medicine and natural science (hardly 100 students in all); the library has valuable MSS., including part of that of the _Orlando Furioso_ and letters by Tasso. The other churches are of less interest than the cathedral, though S. Francesco, S. Benedetto, S. Maria in Vado and S. Cristoforo are all good early Renaissance buildings. The numerous early Renaissance palaces, often with good terra-cotta decorations, form quite a feature of Ferrara; few towns of Italy have so many of them proportionately, though they are mostly comparatively small in size. Among them may be noted those in the N. quarter (especially the four at the intersection of its two main streets), which was added by Ercole (Hercules) I. in 1492-1505, from the plans of Biagio Rossetti, and hence called the "Addizione Erculea." The finest of these is the Palazzo de' Diamanti, so called from the diamond points into which the blocks of stone with which it is faced are cut. It contains the municipal picture gallery, with a large number of pictures of artists of the school of Ferrara. This did not require prominence until the latter half of the 15th century, when its best masters were Cosimo Tura (1432-1495), Francesco Cossa (d. 1480) and Ercole dei Roberti (d. 1496). To this period are due famous frescoes in the Palazzo Schifanoia, which was built by the Este family; those of the lower row depict the life of Borso of Este, in the central row are the signs of the zodiac, and in the upper are allegorical representations of the months. The vestibule was decorated with stucco mouldings by Domenico di Paris of Padua. The building also contains fine choir-books with miniatures, and a collection of coins and Renaissance medals. The simple house of Ariosto, erected by himself after 1526, in which he died in 1532, lies farther west. The best Ferrarese masters of the 16th century of the Ferrara school were Lorenzo Costa (1460-1535), and Dosso Dossi (1479-1542), the most eminent of all, while Benvenuto Tisi (Garofalo, 1481-1559) is somewhat monotonous and insipid. Entry: FERRARA

Encyclopaedia Britannica, 11th Edition, Volume 10, Slice 3 "Fenton, Edward" to "Finistere"     1910-1911

It is unnecessary here to give a detailed analysis of the methods of judicial astrology as an art, or directions for the casting of a horoscope, or "nativity," i.e. a map of the heavens at the hour of birth, showing, according to the Ephemeris, the position of the heavenly bodies, from which their influence may be deduced. Each of the twelve signs of the zodiac (q.v.) is credited with its own characteristics and influence, and is the controlling sign of its "house of life." The sign exactly rising at the moment of birth is called the ascendant. The benevolent or malignant influence of each planet, together with the sun and moon, is modified by the sign it inhabits at the nativity; thus Jupiter in one house may indicate riches, fame in another, beauty in another, and Saturn similarly poverty, obscurity or deformity. The calculation is affected by the "aspects," i.e. according as the planets are near or far as regards one another (in conjunction, in semi-sextile, semi-square, sextile, quintile, square, trine, sesqui-quadrate, bi-quintile, opposition or parallel acclination). Disastrous signs predominate over auspicious, and the various effects are combined in a very elaborate and complicated manner. Entry: ASTROLOGY

Encyclopaedia Britannica, 11th Edition, Volume 2, Slice 7 "Arundel, Thomas" to "Athens"     1910-1911

Oxen appear to have been among the earliest of domesticated animals, as they undoubtedly were among the most important agents in the growth of early civilization. They are mentioned in the oldest written records of the Hebrew and Hindu peoples, and are figured on Egyptian monuments raised over 3000 years B.C.; while remains of domesticated specimens have been found in Swiss lake-dwellings along with the stone implements and other relics of Neolithic man. In infant communities a man's wealth was measured by the number and size of his herds--Abraham, it is said, was rich in cattle--and oxen for a long period formed, as they still do among many savage or semi-savage tribes, the favourite medium of exchange between individuals and communities. After the introduction of a metal coinage into ancient Greece, this method of exchange was commemorated by stamping the image of an ox on the new money; while the connexion between cattle and coin as symbols of wealth has left its mark on the languages of Europe, as is seen in the Latin word _pecunia_ and the English "pecuniary," derived from _pecus_, cattle. The value attached to cattle in ancient times is further shown by the Bull figuring among the signs of the zodiac; in its worship by the ancient Egyptians under the title of Apis; in the veneration which has always been paid to it by the Hindus, according to whose sacred legends it was the first animal created by the three divinities directed by the supreme Deity to furnish the earth with animated beings; and in the important part it played in Greek and Roman mythology. The Hindus were not allowed to shed the blood of the ox, and the Egyptians could only do so in sacrificing to their gods. Both Hindus and Jews were forbidden to muzzle it when treading out the corn; to destroy it wantonly was a crime among the Romans, punishable with exile. Entry: CATTLE

Encyclopaedia Britannica, 11th Edition, Volume 5, Slice 5 "Cat" to "Celt"     1910-1911

The underworld is made up of four vestibules and three hells properly so called. The vestibules have each two rulers, Zartay and Zartanay, Hag and Mag, Gaf and Gafan, Anatan and Kin. In the highest hell rules alone the grisly king Sh'dum, "the warrior"; in the storey immediately beneath is Giv, "the great"; and in the lowest is Krun or Karkum, the oldest and most powerful of all, commonly called "the great mountain of flesh" (_Tura rabba d'besra_), but also "the first-born of darkness." In the vestibules dirty water is still to be met with, but the hells are full of scorching consuming fire, except Krun's domain, where is nought but dust, ashes and vacancy. Into these regions descended Hibil the brilliant, in the power of _Mana rabba_, just as in the Manichaean mythology the "primal man," armed with the elements of the king of light, descends to a contest with the primal devil. Hibil lingers, gradually unfolding his power, in each of the vestibules, and finally passing from hell to hell reaches Karkum. Hibil allows himself to be half swallowed by the monster, but is unhurt, and compels his antagonist to recognize the superiority of _Mana rabba_, the God of light, and to divulge his profoundest secret, the hidden name of darkness. Armed with this he returns through the successive hells, compelling the disclosure of every secret, depriving the rulers of their power, and barring the doors of the several regions. From the fourth vestibule he brought the female devil Ruha, daughter of Kin, and set her over the whole four. This Ruha, the mother of falsehood and lies, of poisoning and fornication is an anti-Christian parody of the Ruha d'Qudsha (Holy Spirit) of the Syriac Church. She is the mother of Ur, the personified fire of hell, who in anger and pride made a violent onset on the world of light (compare the similar occurrence in the Manichaean mythology), but was mastered by Hibil and thrown in chains down to the "black water," and imprisoned within seven iron and seven golden walls. By Ur, Ruha, while P'tahil was engaged in his work of creation, became mother of three sets of seven, twelve and five sons respectively; all were translated by P'tahil to the heavenly firmament (like the Archons of Mani), the first group forming the planets and the next the signs of the zodiac, while the third is as yet undetermined. Of the names of the planets Estera (Ishtar Venus, also called Ruha d'Qudsha, "holy spirit"), Enba (Nebo, Mercury), Sin (moon), Kewan (Saturn), Bil (Jupiter), and Nirig (Nirgal, Mars) reveal their Babylonian origin; Il or Il Il, the sun, is also known as Kadush and Adunay (the Adonai of the Old Testament); as lord of the planetary spirits his place is in the midst of them; they are the source of all temptation and evil amongst men. The houses of the planets, as well as the earth and a second world immediately to the north of it, rest upon anvils laid by Hibil on the belly of Ur. Entry: MANDAEANS

Encyclopaedia Britannica, 11th Edition, Volume 17, Slice 5 "Malta" to "Map, Walter"     1910-1911

The Hindu calendar, then, is determined by years of two kinds, solar and lunar. For civil purposes, solar years are used in Bengal, including Orissa, and in the Tamil and Malayalam districts of Madras, and lunar years throughout the rest of India. But the lunar year regulates everywhere the general religious rites and festivals, and the details of private and domestic life, such as the selection of auspicious occasions for marriages and for starting on journeys, the choice of lucky moments for shaving, and so on. Consequently, the details of the lunar year are shown even in the almanacs which follow the solar year. On the other hand, certain details of the solar year, such as the course of the sun through the signs and other divisions of the zodiac, are shown in the almanacs which follow the lunar year. We will treat the solar year first, because it governs the lunisolar system, and the explanation of it will greatly simplify the process of explaining the lunar calendar. Entry: I

Encyclopaedia Britannica, 11th Edition, Volume 13, Slice 4 "Hero" to "Hindu Chronology"     1910-1911

MARLY-LE-ROI, a village of northern France in the department of Seine-et-Oise, 5 m. N. by W. of Versailles by road. Pop. (1906), 1409. Notwithstanding some fine country houses, Marly is dull and unattractive, and owes all its celebrity to the sumptuous château built towards the end of the 17th century by Louis XIV., and now destroyed. It was originally designed as a simple hermitage to which the king could occasionally retire with a few of his more intimate friends from the pomp of Versailles, but gradually it grew until it became one of the most ruinous extravagances of the Grand Monarque. The central pavilion (inhabited by the king himself) and its twelve subsidiary pavilions were intended to suggest the sun surrounded by the signs of the zodiac. Seldom visited by Louis XV., and wholly abandoned by Louis XVI., it was demolished after the Revolution, its art treasures having previously been dispersed, and the remains now consist of a large basin, the Abreuvoir, a few mouldering ivy-grown walls, some traces of parterres with magnificent trees, the park, and the forest of 8½ sq. m., one of the most pleasant promenades of the neighbourhood of Paris, containing the shooting preserves of the President of the Republic. Entry: MARLY

Encyclopaedia Britannica, 11th Edition, Volume 17, Slice 6 "Map" to "Mars"     1910-1911

Partly in further development of views unfolded in Babylonia, but chiefly under Greek influences, the scope of astrology was enlarged until it was brought into connexion with practically all of the known sciences, botany, chemistry, zoology, mineralogy, anatomy and medicine. Colours, metals, stones, plants, drugs and animal life of all kinds were associated with the planets and placed under their tutelage. In the system that passes under the name of Ptolemy, Saturn is associated with grey, Jupiter with white, Mars with red, Venus with yellow, while Mercury, occupying a peculiar place in Greek as it did in Babylonian astrology (where it was at one time designated as _the_ planet _par excellence_), was supposed to vary its colour according to changing circumstances. The sun was associated with gold, the moon with silver, Jupiter with electrum, Saturn with lead, Venus with copper, and so on, while the continued influence of astrological motives is to be seen in the association of quicksilver, upon its discovery at a comparatively late period, with Mercury, because of its changeable character as a solid and a liquid. In the same way stones were connected with both the planets and the months; plants, by diverse association of ideas, were connected with the planets, and animals likewise were placed under the guidance and protection of one or other of the heavenly bodies. By this curious process of combination the entire realm of the natural sciences was translated into the language of astrology with the single avowed purpose of seeing in all phenomena signs indicative of what the future had in store. The fate of the individual, as that feature of the future which had a supreme interest, led to the association of the planets with parts of the body. Here, too, we find various systems devised, in part representing the views of different schools, in part reflecting advancing conceptions regarding the functions of the organs in man and animals. In one system the seat of Mercury, representing divine intelligence as the source of all knowledge--a view that reverts to Babylonia where Nebo (corresponding to Mercury) was regarded as the divine power to whom all wisdom is due--was placed in the liver as the primeval seat of the soul (see OMEN), whereas in other systems this distinction was assigned to Jupiter or to Venus. Saturn, taking in Greek astrology the place at the head of the planets which among the Babylonians was accorded to Jupiter-Marduk, was given a place in the brain, which in later times was looked upon as the centre of soul-life; Venus, as the planet of the passion of love, was supposed to reign supreme over the genital organs, the belly and the lower limbs; Mars, as the violent planet, is associated with the bile, as well as with the blood and kidneys. Again, the right ear is associated with Saturn, the left ear with Mars, the right eye in the case of the male with the sun and the left eye with the moon, while in the case of the female it was just the reverse. From the planets the same association of ideas was applied to the constellations of the zodiac, which in later phases of astrology are placed on a par with the planets themselves, so far as their importance for the individual horoscope is concerned. The fate of the individual in this combination of planets with the zodiac was made dependent not merely upon the planet which happened to be rising at the time of birth or of conception, but also upon its local relationship to a special sign or to certain signs of the zodiac. The zodiac was regarded as the prototype of the human body, the different parts of which all had their corresponding section in the zodiac itself. The head was placed in the first sign of the zodiac--the Ram; and the feet in the last sign--the Fishes. Between these two extremes the other parts and organs of the body were distributed among the remaining signs of the zodiac, the neck being assigned to the Bull, the shoulders and arms to the Gemini (or twins), the breast to Cancer, the flanks to Leo, the bladder to Virgo, the buttocks to the Balance, the pubis to the Scorpion, the thighs to Sagittarius, the knees to Capricorn, and the limbs to Aquarius. Not content with this, we find the late Egyptian astrologers setting up a correspondence between the thirty-six _decani_ recognized by them and the human body, which is thus divided into thirty-six parts; to each part a god was assigned as a controlling force. With human anatomy thus connected with the planets, with constellations, and with single stars, medicine became an integral part of astrology, or, as we might also put it, astrology became the handmaid of medicine. Diseases and disturbances of the ordinary functions of the organs were attributed to the influence of planets or explained as due to conditions observed in a constellation or in the position of a star; and an interesting survival of this bond between astrology and medicine is to be seen in the use up to the present time of the sign of Jupiter, which still heads medicinal prescriptions, while, on the other hand, the influence of planetary lore appears in the assignment of the days of the week to the planets, beginning with Sunday, assigned to the sun, and ending with Saturday, the day of Saturn. Passing on into still later periods, Saturn's day was associated with the Jewish sabbath, Sunday with the Lord's Day, Tuesday with Tiw, the god of war, corresponding to Mars of the Romans and to the Nergal of the Babylonians. Wednesday was assigned to the planet Mercury, the equivalent of the Germanic god Woden; Thursday to Jupiter, the equivalent of Thor; and Friday to Friga, the goddess of love, who is represented by Venus among the Romans and among the Babylonians by Ishtar. Astrological considerations likewise already regulated in ancient Babylonia the distinction of lucky and unlucky days, which passing down to the Greeks and Romans (_dies fasti_ and _nefasti_) found a striking expression in Hesiod's _Works and Days_. Among the Arabs similar associations of lucky and unlucky days directly connected with the influence of the planets prevailed through all times, Tuesday and Wednesday, for instance, being regarded as the days for blood-letting, because Tuesday was connected with Mars, the lord of war and blood, and Wednesday with Mercury, the planet of humours. Even in modern times travellers relate how, when an auspicious day has been proclaimed by the astrologers, the streets of Bagdad may be seen running with blood from the barbers' shops. Entry: ASTROLOGY

Encyclopaedia Britannica, 11th Edition, Volume 2, Slice 7 "Arundel, Thomas" to "Athens"     1910-1911

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